Fort Walla Walla Days!

Wahoo! This weekend is our annual Fort Walla Walla Days! The point is to portray and commemorate the region's 19th century military and Indian heritage, and we do that in colorful, enjoyable fashion.

This year, we'll feature a Civil War skirmish re-enactment. Now you might be thinking, Huh? There was no Civil War action out here! That's true, but soldiers posted at Fort Walla Walla during the Civil War years were sent back east to serve. In our current Abraham Lincoln and Walla Walla County exhibit, such a story can be seen. You can also be sure that loved ones those soldiers left behind ... as well as anyone else living here at the time ... would have been all but desperate for news of the war. Imagine a 3-month old newspaper arriving in town in those days.

We also have military encampments representing several eras of the 19th century from the Lewis & Clark expedition through the Spanish-American War. A few years ago when one of the community's World War I cannons came to rest on Museum grounds, we began including an encampment from those days, too, as artillery training went on briefly at Fort Walla Walla in 1916. There is a wonderful photo of utility-pole cannons resting on wagons that local, enterprising farm boys used as make-shift training equipment that will be displayed in our upcoming (Friday, June 12) new special exhibit, Salute! Soldiering in the Walla Walla Region, just in time for the weekend's activities.

Regional Indian people will share their stories, too, and give good play to their ongoing cultural vitality. This includes Tamástslikt Cultural Institute, the museum of The Confederated Tribes of the Umatilla Indian Reservation, and a new traveling exhibit of the Wanapum people. I think the Wanapum are bringing a young dancing phenom with them, too.

We'll have an author here on Saturday, Greg Hodgen, who co-wrote The Rocks are Ringing: Bannock-Paiute Indian War, Oregon, 1878. Soldiers from Fort Walla Walla engaged in the final encounter of that sad affair at Battle Mountain, just south of Pendleton. Greg may also do a Living History presentation of Cpl. Philip Murphy, a soldier from Fort Walla Walla.

It's also a chance for us to show more of our cultural side, as we present our annual 3-day Western Art Show beginning Friday. Coordinated by artist David Partridge, it features the work of several local artists following a general Western theme.

To top things off, we'll have food available from Tinos' Tacos and Deeney's Ice Cream. Looks like a great way to spend time with the family!

Today's photos show (top to bottom( our blacksmith shop demonstraion, a beadwork demonstration at the Wanapum exhibit, General William Clark, Kathleen Gordon from Tamástslikt, and a Civil War camp.

Soldiering in the days of Fort Walla Walla

This weekend's Living History performance (Sunday, May 3, at 2:00 pm) features local musician Joel Fitts portraying Fort Walla Walla soldier John Singleton.

Singleton was an Irishman who came to Walla Walla in 1857 to be a soldier at Fort Walla Walla. he nearly lost his life in the disastrous Battle of Steptoe Butte under the command of Lt. Col. Edward J. Steptoe, for whom Walla Walla was originally named. The community that grew around the temporary fort near the intersection of First and Main Streets in what is now the downtown area was originally known as "Steptoeville."

Singleton’s wife, also Irish, followed him here, and purchased a pre-emption claim in Walla Walla from Captain Pierce, who used the money to open the first mines in Idaho. Pierce’s actions set off a gold rush that made Walla Walla a boom town in the 1860’s. Local Indian people, the Nez Perce, called on the Fort to help protect them from the large influx of miners.

Singleton retired from the army in 1861, and he and his wife lived and farmed for the rest of their lives in Walla Walla.

The story of the military in the region is now more than 150 years old, as last year was the sesquicentennial anniversary of the opening of the 'permanent' fort on the grounds where the Wainwright VA facility is today. You can see some of the 1858 officers quarters on the back road of the facility, though the exteriors do not look as they originally did.

Maintaining the old buildings of the medical center is not the primary function of the VA and I believe they'd appreciate being out of that business. Nevertheless, the structures represent the bulk of Washington State's pre-Civil War architecture and are the historic legacy of the modern city of Walla Walla. What to do? Everything costs money, including preservation activities at museums, and no one seems to have much to part with these days. In the meantime, the buildings suffer from neglect and exposure to the elements. The VA is anticipating some investment in new facilities on the site and perhaps through that the community can take charge of the old structures.

Got a good idea? Let's hear it!

Today's photos show Joel Fitts as John Singleton playing in the Oregon Trail Band, which will also be here on Sunday afternoon. They play popular 19th century music preceding the Living History program every first and third Sunday through our season. While Fitts no longer plays with the Band, he is an accomplished musician and can be heard at various venues around town with his friends in The Rogues. Another image shows the original adobe blocks beneath the more modern exterior of one of the officers quarters. The map shows Oregon & Washington Territories and the black-and-white image shows the Fort in 1862.

Here's to the Children!

Tomorrow's the BIG Day, the opening of our 42nd season of service from our location here in beautiful Fort Walla Walla park. We already have something approaching 2,000 participants booked for the admission-free school tour program this spring. The program is open to public, private, and home schools and is generously sponsored by Pacific Power Foundation;Boise, Inc's Wallula Mill; The Blue Mountain Area Foundation; the J.L. Stubblefield Trust; and the Bonnie Braden Trust.

Most years we get kids from across Washington and Oregon, as well as from Idaho. As school budgets have been strapped the past couple years, we've seen a bit of a decline in numbers, but the progam still averages more than 5,000 participants each year. Not a bad way to put kids in touch with their heritage!

Many schools that arrive at the Museum also manage to book a tour at Whitman Mission for the other half of their day. I'm told that many schools also take their students to either the Yakama Nation Museum or to Tamastastlikt Cultural Institute, the museum of The Confederated Tribes of the Umatilla Indian Reservation. When they're through touring, the kids end up with a pretty good base of regional historical knowledge.

We enjoy being a part of the region's educational efforts. Kids who know of their heritage are far more capable of helping to lead our communities into the future. To that end, the past is just about our only road map into the future and we ignore it to our peril. It doesn't matter if your family has lived here for umpteen generations or if you just finished unloading the moving van, this is the region's heritage and now it's yours. Knowing it helps us cope with daily existence as well as helping to make a brighter tomorrow for us all.

These days, we interact with regional school kids only once or twice in their K-12 years. We'd like to make that five or six times. Our plans for the future include hirring an Education Coordinator so that we can do more outreach in the schools and have more things for kids while they're at the Museum. History class is too often a 'death match' between kids and the guy at the front of the class (and he'd win if it weren't for graduation!) ... I think it's all about people and that should make it all the time interesting.

So here's to the kids! Bring 'em to the Museum this week during Spring Break ... it's one of the best things parents can do for their kids.

Enjoy the photos ... I like the one of Walla Walla's Edison School with the kids near their busses, all waving.

Helping Hand for New Exhibit

Much of import happened while I was away yesterday! Fort Walla Walla Museum plies the grants market several times each year and we were rewarded with an announcement that one of those 'asks' had been acknowledged. It was a national-level grant that will help us move forward with some of the inside, visitor-visible aspects of Phase I construction.

Exhibit Hall I was emptied of all its various and sundry trasures over the winter and will soon be demolished (maybe starting today?). Among the exhibits housed in it was our life-size Lewis & Clark diorama. The scene depicted involved three mannequins representing Meriwether Lewis, William Clark, and Yellept, a headman of the Wallah Wallah people. They are in the midst of a gift exchange, Cap't. Clark's military saber for Yellept's "eligant white horse," as it was described in the journals. Behind it stood a mural representing Wallula Gap, just south of where the Walla Walla River enters the Columbia. Much of that exhibit was re-displayed in our Headquarters for this season, but we had to bid adieu to the mural.

In the new Entrance building about to arise phoenix-like from the demolished Exhibit Hall I, the diorama will be re-created. We have had preliminary discussion with a local artist of renown and acclaim to produce a new mural with seasonal coloring more appropriate to the actual time frame depicted, as well as a new view of the Gap from the far bank of the Columbia River where stood Yellept's village. As a whole, the scene will be more historically accurate, and colorwise, more pleaseing to the eye. Thanks to the new grant, we shall be able to proceed with the plan.

Stay tuned! Big things are under way!!

Living, Breathing History

At Fort Walla Walla Museum, saying 'history comes alive' has some meaning. Each weekend (every Sunday, plus Saturdays June through August) during the season, you can experience more than 40 Living History performances. Some involve just one person, often telling of the past through an ancestor's eyes. Others are accomplished with two or three performers, and a some involve quite a few folks.

Most, but not all, of the characters portrayed lived in the 19th century. The 'rules' are that none of the performers has yet passed on, and are somewhat mystified as to how they 'travel through time' to be with the audience. Using 'talking sticks' to amplify their voices is technology beyond their ken.

Keeping in character is also one of the rules. Opinions on modern topics are not possible from those who lived 100 years or more in the past. It does, however, make you wonder what a real time traveler might think of modern ways of doing things or, better yet, how similar problems today were solved in the past.

All programs begin at 2:00 pm in the Museum's pioneer settlement. On the first and thrid Sundays of each month in the April through October visitation season, patrons can enjoy popular 19th century music with the Museum's own 'Oregon Trail Band.' The program has been described as a '40-course class in regional history.' I don't know about that, but the characters are always genuine, engaging, and ready to answer your questions. Oh, yes ... they're a lot of fun, too. A full schedule of programs can be found at www.fortwallawallamuseum.org/living_history.htm Come on out ... this ain't your high school history class!

Soldiers, Pioneers & Indian People

Our Services and Facilities Enhancement Project awaits an archaeological review from the Confederated Tribes of the Umatilla Indian Reservation. From the historical view, the Museum grounds, and before that the U.S. Army's Fort Walla Walla, were part of the the homeland of the tribes, particularly the Cayuse people. As we learned during the research phase of a Lewis & Clark-related exhibit, the Cayuse spoke a language different from virtually all the other groups in the region. In the aftermath of the tragedies at Whitman Mission and the ensuing 'Cayuse War,' the Cayuse people were reduced to half their former numbers and became dispersed. When that happened, the language went into disuse until these days it is considered a 'dead language.' Sadly, not enough elders are left who can speak enough of the language to keep it alive.

The Museum conducted what is often referred to as a 'shovel survey.' That means that a grid pattern was established in the area proposed for construction and at specific points, shovel holes were dug to see what, if anything, existed near the surface. Soil layering was examined, sifiting of removed soil was accomplished, and an examination of exisiting geological data was also done. If you've not been on a 'dig' before, it is hot, dirty work. There are no short cuts to getting quality results. Four of us worked on different points of the grid over the course of two months. While many people think that finding 'something' is the point, it is the determination of what happened in an area that drives the work.